BGA Beauty LLC Strung by hand

A quiet studio where every strand begins on the board. Strung

BGA Beauty LLC is a hand strung jewelry studio working from a small bench at 233 N Redwood Rd APT 424, Salt Lake City - 84116-3926, United States (US). We lay out every commission on a felt beading board first, so the rhythm of the colors is settled before a single knot is tied. Beads arrive sorted, strands leave measured, and nothing is finished until the clasp sits flat against the neck.

See how the six studio services work
Book a studio consultation or send a strand idea

Bead tray registry

Six studio services, each clipped to its own corner of the tray

Every service below begins the same way, with an empty compartment and a pencil line for length. The cards sit at different heights because the work itself does, and the letter on each one is the mark we stamp on the work order before the first bead is threaded.

  1. Custom Beaded Strands

    We build a strand from the neck out, choosing stone size, color rhythm and clasp weight against a paper chart of the wearer. Small rounds at the ends keep the drape soft, and the center carries the one bead the whole piece is named for.

    Lengths are marked in the channel grooves of the board, so a 45 centimeter strand stays at 45 centimeters when it comes off the bench.

    Read about custom beaded strands
  2. Bridal Jewelry Sets

    A bridal set is a matched trio, usually a necklace, a pair of drop earrings and a bracelet that echo the same stone in three sizes. We plan the set on the board beside a fabric swatch and a photo of the dress neckline.

    Rehearsal week is built into the schedule so a clasp can be swapped before the day arrives.

    Read about bridal jewelry sets
  3. Repair and Restringing

    Rings, bracelets and necklaces that have lost tension come back to the bench for a full restring on new thread. We match the original bead size where stock allows and tell you honestly when a match is not available.

    Every repair returns with a short note naming the thread used and the date the work was completed.

    Read about repair and restringing
  4. Charm and Pendant Assembly

    Charms are laid out in the tray before they are hung, because balance is easier to see flat than in the air. We choose the jump ring gauge for the weight and set the pendant so it faces forward instead of twisting.

    Families often send a small keepsake or a single earring from an older set to be folded into a new piece.

    Read about charm assembly
  5. Everyday Statement Pieces

    These are the pieces worn on ordinary Tuesdays, built with lighter beads and a low profile clasp that survives a full workday. The color runs are quieter than bridal work but the engineering is the same.

    We keep a small bench stock of repeatable strands in muted olive, rose and teal that can be sized in a single visit.

    Read about everyday pieces
  6. Gift Curation Boxes

    A gift box gathers a strand, a pair of studs and a small cloth pouch into one presentation, wrapped by hand at the counter. The box is chosen after the jewelry, never before, so the piece has room to sit flat.

    We include a handwritten card naming the stones and a note on how to store the piece between wears.

    Read about gift curation boxes

Why the work starts on a board instead of a sketch

A drawing can suggest a strand that no neck can comfortably carry. On the board we can see the exact run of a color, the point where a heavy bead will pull the curve out of shape, and the moment a clasp starts to look too small for the weight it has to hold. That is why every commission at BGA Beauty LLC passes through a full layout before the knot is tied. The board is a measuring instrument as much as it is a work surface.

Customers who visit the Salt Lake City studio often spend the first twenty minutes moving beads from one groove to another. That experiment is part of the service, and it usually changes the plan in a useful way. We keep a tray of loose samples for exactly this reason, and we do not rush the layout stage. A custom strand is a long relationship with a single object, so the hour spent arranging it is never wasted.

The same discipline carries into repair work. When a bracelet arrives with a broken clasp or a stretched thread, we lay it out before touching it, note the missing or damaged beads, and photograph the arrangement so the rebuilt piece returns in the order it left. Restring is not a matter of copying a pattern from memory. It is a matter of reading the wear on each bead and rebuilding the strand so it sits the way the owner remembers.

BGA Beauty LLC opens its winter bridal calendar and holds a limited number of fitting appointments each week for sets that need to be measured on the wearer. Write to beauty@bgabeauty.mom or call +19797662253 to place a date on the chart before the season fills.

How a strand is built

The bench rhythm behind every finished piece

Each commission moves through four passes at the bench. First the bead run is sorted into the tray and weighed for balance. Second the strand is threaded loose, without a clasp, and hung on the rail so the drape can be judged against a neck form. Third the thread is restrung with tension and the clasp is attached. Fourth the piece rests overnight on the board, and only then is it checked for knot slippage and packed.

That overnight rest is not ceremony. Thread relaxes under load, and a strand that looks perfect at four in the afternoon can show a gap by the following morning. We would rather find that gap on the board than let a customer find it at a dinner. This is the meaning behind our line, strung by hand, finished with care, every piece one of a kind. Every strand carries small differences that come from the hand that tied it, and we consider those differences the signature of the work.

Because the studio is small, each order is logged with its bead sizes, thread type, and clasp style in a paper notebook as well as a digital record. That record is what makes a 2022 bracelet repairable in 2026. We can match the original construction, or we can rebuild it with a stronger clasp if the customer prefers. Either way, the notes travel with the piece so the next repair does not begin from zero.

We also keep the workshop honest about materials. Glass, stone, freshwater pearl, wood and metal are labeled plainly, and we will not describe a coated bead as a gemstone. When a budget cannot reach a particular stone, we say so and offer a substitution that photographs well and wears better. Trust at the counter is worth more than a single sale, and it is the reason many of our customers return with a friend.

Most single strands are complete within ten to fourteen days after the layout is approved. Bridal sets need three to four weeks because of the matching and the rehearsal window. Repair work is usually finished in three to five business days, and we will tell you at intake if parts have to be ordered.

Yes. We inspect the beads first and report any that are cracked, chipped or uneven at the hole. You decide whether to replace them or keep them as part of the character of the strand. Nothing is discarded without your agreement.

We offer nickel free findings and a range of soft threads for customers who react to metal. Tell us at the first visit and we will note it on the work order so every future repair uses the same safe hardware.

A curated box includes the chosen strand or set, a cloth storage pouch, a care card naming the stones, and a hand addressed note. We can hold the box for collection or arrange a local delivery in the Salt Lake City area.

Layout
Threading
Resting
Finishing

A day on the bench, in order. The strand spends the longest stretch in the resting stage, where the thread settles and any slack reveals itself before the clasp is closed.

We photograph each finished piece on a neutral cloth so the customer can compare the first draft with the final strand, and so future repairs have a reference for the original layout.

Materials and care

What the studio stocks, and how to keep a strand alive

Thread, clasp and stone

We stock a braided nylon thread in four thicknesses and a silk thread for heavier pearl work. Clasps range from a small gold tone lobster to a magnetic barrel for customers who struggle with fine motor work. Stones are bought in small lots from regional suppliers, and each lot is examined by hand before it enters the cabinet. Glass from the Czech region, freshwater pearls from stable farm sources, and wood beads turned locally all pass through the same inspection.

Care is simple but not optional. Remove a strand before swimming, keep perfume off the stones, and store it flat or hanging rather than coiled in a heavy box. A strand that is worn daily should be inspected once a year for thread wear at the clasp, which is where failure almost always begins. We offer a free annual inspection to any customer who has purchased a strand from the studio, and the visit usually takes under ten minutes.